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・ José Sacramento
・ José Sacristán
・ José Saenz d'Aguirre
・ José Saez
・ José Sagredo
・ José Said
・ José Sainz Nothnagel
・ José Salas Valdés
・ José Salazar
・ José Salazar López
・ José Salcedo
・ José Salcedo (Chilean footballer)
・ José Salcedo (disambiguation)
・ José Saldaña
・ José Salgado Fernández
José Salomé Pina
・ José Salomón
・ José Salomón Rondón
・ José Salvador Alvarenga
・ José Salvador Sanchis
・ José Salvatierra
・ José Samalot
・ José Samanez
・ José Samyn
・ José San Román
・ José Sanabria
・ José Sanchis
・ José Sanchis Grau
・ José Sanchis Sinisterra
・ José Sancho


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José Salomé Pina : ウィキペディア英語版
José Salomé Pina

José Salomé Pina (b. 1830 - d. 1909) was a Mexican painter. Together with Santiago Rebull Gordillo and José María Velasco Gómez, he was one of the most famous 19th-century Mexican artists. He was schooled in the arts at the Academy of San Carlos in Mexico City by Pelegrí Clavé i Roqué, an accomplished Spanish painter from Barcelona who was associated with the Nazarene movement.
==Biography==
His activities as a painter became well known after 1852 when he painted the ''Agar e Ismael'' at the age of 22. A year later he gained more renown when he produced ''Sansón y Dalila'' (1853). In 1854, he competed for a pension in Rome, which he won with his painting ''San Carlos Borromeo'' (pictured right). Later, in 1856, he was awarded a grant to study in Paris, joining the studio of Charles Gleyre where he painted two works: ''Abraham and Isaac'' and ''Dante and Virgil''. Both of these paintings from 1856, were sent by Pina to be displayed at the Academy of San Carlos, though today they are on display at the MUNAL in Mexico City. In 1859, Pina exhibitioned hi painting ''La Piedad (La Virgen de la Piedad)'' for which he received an honorable mention. After some time in Paris, Pina moved back to Rome in 1860 to complete his study of the classics under the tutelage of Consoni y Gariot.〔(LA VIRGEN DEL REFUGIO DE SALOMÉ PINA ) Por Eduardo Bàez M.〕 In 1865, he was commissioned to make a painting commemorating the visit to Rome of Archduke Maximilian on a trip to see Pope Pius IX. Pina was unable to finish this work, though there are sketches of the painting on display at the Museo Nacional de Historia. These sketches support the theory that Pina conducted his work from photographs. In 1869, Pina became a professor at the Academy of San Carlos.

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